R. L. Stedman

Writer

About my Books

From the Desk – New Year’s Update

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New Year’s Update

2018 already! Amazing, right? I normally save updates for my newsletters, on the theory that those who signed up for my emails may at least be interested in what I’m up to. However, this one is kind of special, being the first month of a new year … So here’s a Letter to My Readers, set out a one-of-a-kind blog post. (Note: This update is personal. I’ve totally ignored politics and any major world-impacting news. So if you’re after a political rant, move on. Ain’t nothing to see here…)

writer's notebook

Dear Reader,

Welcome to my review of 2017, the Year-That-Was and 2018; The-Year-That-Is-To-Come…

 

Highlights for 2017

1. Finishing A Memory of Fire.

Writing A Memory of Fire was hard. The final in a trilogy has to feel like a conclusion, so I wanted to amp up the action, both the rise to the climax and the fall to the ending. I wanted the ending to be satisfying, yet I didn’t want to walk away from the story with all loose ends neatly tied, because real life isn’t neat.

To quote Frodo, in Lord of the Rings: “The great tales never end. But the people in them come, and go when their part is ended.”

So, in A Memory of Fire, while I wanted the ending to feel like an ending, I also wanted to leave the potential for a beginning. (That’s partly selfish, of course, because who knows, I might want to explore the SoulNecklace world again.)

Writing Memory was an amazing experience. Being so familiar with the characters, I could slip easily into their heads and so Dana, Will and N’tombe took control of their own stories; I just had to type. At times, I truly felt as though I was channelling. This was both awe-inspiring and terrifying, because I had no idea where the story was going. I had to just trust the process and go with it.

Have you ever ridden a horse at full gallop, and have a foot slide from the stirrup, and then all you can do is hang on and hope? That was how I felt, on writing some of the scenes in A Memory of Fire. You’ll know the scenes when you read them. They’re the ones with the pell-mell, hell-or-nothing vibe, the ones where the language totally changes. That’s because they’re not my words – they’re Dana’s or Will’s. They don’t talk like me, and they sure as hell don’t write like me, either. You can find A Memory of Fire here

A Memory of Fire - 3D

2. Adding bonus extras – A Long, Long Life and a Gratuitous Epilogue.

I had hoped to have an extra novella to give away to early purchasers of Memory, but editing Memory took longer than I’d planned. However, I did write a Gratuitous Epilogue called A Bed-Time Story. It has a shocking cover (I didn’t have time to get a proper cover made) but its content is a pretty fun little addition to the more epic-style of Memory.

If you’d like to read this epilogue, get in touch through the “Contact Me” page.

I also finished a novella! A Long, Long Life is for die-hard fans of the SoulNecklace Stories (all two of them!), because I think, like me, they’re keen to find out a bit more of the backstory. Like, who is Rinpoche? Where did Greg and Reg come from? And how does that weird catch on the necklace actually work? Exploring the background of the world was a lot of fun. You can find A Long, Long Life here

3. Planning a new series

I find planning really, really hard. When I wrote A Necklace of Souls, I just winged it. Writers call this ‘pantsing’ as in: writing by the seat of your pants. Fiction writers tend to be either natural planners or natural pantsers. Unfortunately, I’m a pantser. This makes the writing process fun, but I’ve darted down too many stupid writing plot holes with this approach, so now I’m trying to get a bit more organised and actually PLAN. My plan consists of scribbles on two A3 sheets of paper, along with a roughly drawn map. Sadly, it took me a year to achieve this!

Plans for 2018

1. The Dancing Princesses

Without giving too much away, this new series will  be a (very loose) fairytale adaptation of The Twelve Dancing Princesses. I’ve written a prequel novella, Alice, and I’m currently about one-quarter through the first draft of the first in series, Zoe. I’m aiming for three books, one about each ‘Princess’ (there are only three, not twelve, otherwise I would lose my mind). I hope to have completed Zoe by mid-2018 and the first draft of Belinda ready by year’s end. Alice is being served in instalments to my newsletter list, so if you want to check it out, and you’re not yet on my list, you can join up here.

2. Non-fiction

I’ve been flirting with the idea of writing a guide to self-publishing for teens. Ideally, for use in schools. In 2017 I put a pitch to the local University, in combo with Creative NZ. They were interested, but needed more information. If I’ve got time, I’ll follow this up. (I have some cynicism about how schools may use it, as I have found folk from New Zealand are slow to support their own). I need to explore whether there is truly a desire for such a resource. I do think there’s a need for it, but a need isn’t the same as a want.

3. Other Stuff

I’d like to improve this website – I’m exploring a different theme, with a faster loading time. But redoing a website is HARD! I’d also like to have more sales available through this site, as it’s a lot easier if readers can reach me here, but I’ll need to work out how best to do this with the new theme.

4. Life

Of course, no writer works in a vacuum. Like everyone, life sometimes smacks me in the face, and all I can do is roll with the punches. Right now I’m in the weird position of my oldest leaving home, and my youngest coming to the end of his schooling, so 2018 will be a year of massive transitions. My husband’s taken on a role that requires a whole lot of international travel, so maybe this year might also involve (if I’m lucky) a trip somewhere nice! I have a day job, too. I’ve been doing contract work for the last 5 years, rolling from one year to another – but now, in 2018, I’ve finally got a permanent role, working with the same lovely team I’ve been with for the last few years. So at least in the workspace I should have a little more continuity. Ha! here’s hoping. I’ve got a feeling things might change…

Day Job and Avoiding Poverty
From Debbie Ridpath Ohi

 

And that, dear reader, is the update for 2017 and the plans for 2018, set out in one easy-to-follow blog post. I’ll have a look at this at the end of the year, and see how many of these goals were actually achieved!

All the best to you for the new year, and I hope wherever you are, it will be a happy one. And if not, here’s a joke to make you smile 🙂

Rachel xxx

 

JOKE

Q: What do you call a man with no arms and no legs, trapped in a book?

A: Mark

The Perils and Pitfalls of Writing a Trilogy

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Writing a Trilogy? Here’s What to Do (And What Not To Do)

SoulNecklace Stories (Box Set)

I’ve just published the final book in The SoulNecklace Stories.

This feels like a momentous occasion; it certainly has felt like a lot of work! This series has been nearly eight years in the making, with a fair number of fits and starts along the way.

So this blog post is like a message to my former self – as well as to anyone embarking on a trilogy. Here’s the things I wish I’d done, plus the (few) things I did do that worked well.

Top learnings:

Do

  • Write them! Series are great! They are actually a heck of a lot easier than writing stand-alone novels, because you don’t have to reinvent another world or another set of characters. Writing A Memory of Fire, the last book in my SoulNecklace Stories, felt a little like slipping on a comfy pair of slippers. Once I’d settled on the plot, I could just go.
  • Build your world-rules carefully. When writing fantasy, or indeed any fiction, you create a fictional world. This world has rules: things that are allowed, or not allowed.  Readers are (generally) content to go with these rules, but they do become upset when they spot an inconsistency.

Typically, a writer will have rules that are based around location or appearance (you can’t have a black-haired character suddenly becoming blonde without a reason) but in fantasy the rules are way more extensive and can include magic, technology, religion, geography: in fact, any part of life. This makes writing fantasy fun, but full of pitfalls.

As a writer, it can be hard to remember all your rules, especially once you’re 300,000 words in!

  • Draw maps and pictures. This helps to navigate around castles, houses, villages, countries, whatever. Once I figured this trick out I could get a feeling for distance (how long would it take to travel 40 leagues – and how long is a league anyway?)
  • Plan a little bit, but not too much. I found it helpful to have an idea of the stories ultimate destination (and no, not going to give that spoiler away), but by not being too settled on what would happen too early, interesting characters emerged. Like the Kamaye, the Wayhouses, TeSin and Ma Evans. They all spontaneously arose from my subconscious. I’d not planned for them at all, but weaving their stories into the main narrative added a lot to the overall depth.
  • Write faster! I really wish I’d just knuckled down and put the words on the page. Instead, I became distracted by other projects. This was partly fear – what if the conclusion was awful, what if no-one liked it. So, all in all, it took nearly 8 years to complete the series, but if I’d gotten over my fear issues I could have finished it a lot sooner.

WTF

Don’t

  • Don’t bother too much with the marketing until you’ve finished the series. I really wish I’d figured this out earlier. No point on worrying about Facebook ads or Goodreads giveaways until the series is completed. On a plus side, once a series is completed suddenly readers are very happy, because they can binge-read.
  • Don’t overpromise.  I found that I needed breaks from my imaginary worlds to retain the joy of the process, and this meant I had slow periods. Plus, because writing a series just takes so darn long, life gets in the way. This is part of the writing challenge, but it’s hard to explain to an impatient publisher or reader.
  • Don’t be daunted by the amount of work. Writing a novel is a huge amount of work. Writing a trilogy … oh man! It’s way more! You have to be totally committed before starting, because this world and these characters will be part of your life for a couple of years. It’s a big deal, taking on a two-year project, and not being certain of the outcome. All the time, through your head, a little voice murmurs: What if it’s no good. What if no-one likes it? What if no-one buys it? What if, what if…

And Finally

The most important lesson to anyone embarking on series: ditch the fear. Just do it anyway. You’ll be glad you did.

And, as a bonus, the third book might be so much fun to write that you might be tempted to write another book, or even just a novella, in the same universe.

A Long, Long Life

But that’s another story…

 

You can find The SoulNecklace Stories online or, in hard copy as individual titles on this website, or at your local library.

6 Things You Didn’t Know About My Books

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Six Things You Didn’t Know About The SoulNecklace Stories

I’ve been asked these questions about The SoulNecklace Stories:

  • Why do you have Christmas in your worlds?
  • Pockets weren’t invented until the 1700s. Why do your character’s clothes have pockets?
  • How come you don’t have guns but you have fireworks?

 

Great questions! Here’s why:

1. The books of the SoulNecklace Stories (A Necklace of Souls, A Skillful Warrior and A Memory of Fire) are set in a parallel world to ours. The world has similarities, but also a great many differences.  For example, in the world of The SoulNecklace Stories, much of the technology we have, like cars and guns, were never invented. Coal-fired steam boilers are present, and so is hot water. Fashion, though, is similar to that of the 1800s, and hence long skirts, jerkins and … pockets.

2. The events in these stories take place at roughly the same date and time as the present day in our world.

3. In The SoulNecklace Stories some characters have the ability to move between worlds. N’tombe, an enchantress, is one such person. N’tombe actually comes from The Central African Republic (CAR) in our world, where they do have guns. (Actually, she refers to them briefly in A Skillful Warrior.)

4. When writing a fantasy, it’s important to have rules that contain the world-building. Here are my rules for the history of The SoulNecklace Story world:

• Rule One: Worlds split off from other worlds when something significant happens. That is: an event with two possible outcomes occurs – AND each outcome will create a significantly altered future. The separation is called ‘a divergence’. (This rule was created long before the Divergent series!)

• Rule Two: Things in place prior to the divergence event are unchanged. It’s only the future that is altered.

• Rule Three: The reason for the divergence in The SoulNecklace Stories was a comet striking Earth. The comet carried a passenger (or perhaps, the comet is the passenger). This happened on or about AD 75.

5. So, the history of The SoulNecklace Stories is the same as our world up until about AD 75. This means that in The SoulNecklace Stories the Roman Empire existed and, because Jesus was born before the comet strike, Christianity arose (and so did Christ’s Mass, or Christmas). But the Renaissance never happened and in The SoulNecklace Stories, the Chinese Empire is the dominant power. And so we have fireworks, used for celebrations and religious festivals, but not guns.

6. This means that, as you read The SoulNecklace Stories, you may find things that are the same as our world, but you’ll also find things that are different.

SoulNecklace Stories (Box Set)

I hope this clarifies the point for readers who noted apparent errors in fashion, holidays and religious festivals. Well spotted, but No.

Write What You Know: The Story of a Story

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Write What You Know —

Write what you know
Image Source

What if You Know Less Than You Thought?

I began working in healthcare when I was a student, before graduating into physiotherapy and, more latterly, working for ACC, Ministry of Health and a number of District Health Boards. That’s thirty-something years in total. Scary, how time flies. So, given my working life has been in healthcare, I suppose it was inevitable that at least one book would be set in the world of a hospital. After all: write what you know.

This is the story of that book, and how I discovered that, despite a lifetime in the sector, I knew next to nothing about healthcare.

The Story of a Story

In 2011 I began a story about Tayla, a nine-year-old with a love of practical jokes. I wanted to explore how intensive care might feel to a child: the machines, the busy-ness, hushed voices, IV lines and intubation. The working title was Practically Joking.

Practically Joking began with Tayla’s admission to ICU after a car crash. I thought this was a great opening; dramatic and sad, but I was able to use practical jokes to provide a leavening of humour. Unfortunately, the story refused to evolve as planned. Within the first chapter of Practically Joking, Tayla, scared and in pain, decided to leave his body and float about the ICU as a small-but-irritating ghost. And just like that, Practically Joking became a ghost story.

Which goes to show, you can’t always control what you write. Sometimes the subconscious takes over.

Haunted Hospitals

A bit of background: I trained as a physiotherapist in the 1980s, when Christchurch Hospital still had nightingale wards. These wards were seriously spooky at night: long, dimly lit corridors, wards of white-sheeted patients, full of echoes and draughts.

And the stories told in hospital tearooms! If you’ve worked in a hospital you’ll know what I mean: cold spots, unexplained happenings, figures at the ends of beds. Every hospital I’ve ever worked at has one or two ghost stories.

spooky stories
image source

I suppose my subconscious remembered them and wove them into the Tayla’s story.

Anyway, having begun Tayla’s story and finding it morphing into a ghost adventure, I decided to go with it. The title changed to Ghost School. Ghost School took me to strange places: an intimidating inspector, a coffee-holic doctor and a school for ghosts (because every child deserves an education, even if they’re dead).

‘Well,’ I thought, ‘it is kind of interesting.’

Away From Hospital

Then the story changed again, and I just had to follow. The narrative moved away from hospital. In ghostly form, Tayla travelled out into the world of schools and kids and annoying sisters. He met Jamie, newly arrived from Scotland. Jamie was lonely, because no one could understand his accent and, worse still, all his practical jokes were going wrong. The title became The Prankster and the Ghost.

Fortunately, this title stuck! I even added a competition, and a list of practical jokes at the end of the book.

In an earlier incarnation The Prankster and the Ghost was shortlisted for the Tom Fitzgibbon Award, and was finally published in 2015.

And how does the story end? Without giving too much away, you’ll be pleased to know that Tayla recovered. He’s made new friends (and possibly enemies, because he really is totally addicted to practical jokes).

the prankster and the ghost
The Prankster and The Ghost

Writing and The Subconscious

Reading a book I’ve written is an amazing experience. Frequently the language and characters are surprising, and quite often I wonder how I came up with the ideas. Re-reading Prankster for the final time was both humbling and profound, because while I had planned a book about a child’s encounter with Intensive Care, what emerged was a story about resilience. In retrospect I’m pleased that I followed my subconscious’ directions.

Because, a patient’s journey is not a pathway through the health system. It’s not even about recovery from illness. A patient’s journey, at the most fundamental level, is about learning to live. Because just as my fictional Tayla experienced, while a life may begin and end inside the hospital walls a life is lived outside, in the real world.

Credits

Note: This blog post first appeared in Corpus: Conversations about Medicine and Life on March 27, 2017. Thanks to Sue Wootten for permission to repost here. Corpus, an interdisciplinary discussion forum,  is administered by the University of Otago 

What Makes You Happy?

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What Makes You Happy?

What Makes You Happy?
Image Source

If you follow me on Instagram or Facebook, you’ll see I’ve recently been on holiday.

I’ve been cycling through Dutch tulip fields. This was something I’ve always wanted to do, but never made the time. After all, Holland is a long, long way from New Zealand. BUT – over the last year I’ve had three friends diagnosed with cancer. All are doing fine, and are in good health, but it was a wake-up call. You know how we always say: ‘one day I’ll do …’. Well, this year I decided to make one day = some day.

windmills and clouds

The Benefits of Flowers, Travel and Appreciating Small Things

Holland, being flat, is an ideal destination for a cycling holiday. The towns and villages are close together, so refreshment is always close. The coffee is good, and the beer is better. And because everyone cycles, most drivers are well behaved.

Although Holland is a small, densely packed country, it has wild places; strips of water and fields of wildfowl: swans, geese, ducks. We surprised a few herons fishing beside the cycle trails; they flew away with long, graceful wing strokes when we came too close. The sun, though not hot, was warm enough, especially when we biked fast, into the wind.

The tulip fields were amazing, of course. Long strips of bright colour, and so densely planted it was like some heavenly painter had stooped down to paint the land. But what I hadn’t expected was the hyacinths! Spring hyacinths have a gorgeous scent, and so strong that to stand downwind felt like standing beside a perfumery. And a flower festival in a country church was so steeped in spring bulbs that to stay there too long was to invite a headache.

Scent is something that’s difficult to explain in words; it’s one of those things you have to experience to fully understand. Like flowers, and the wild birds flying. But like flowers and travel and wild birds, the smell of flowers makes me happy.

a sea of flowers

Happiness is ephemeral. The result, textbooks say, of neurotransmitters like serotonin and adrenaline. A byproduct of our environment; a positive stimulus. Marketers exploit our craving for happiness. ‘Buy this,’ they say, ‘and you will get laid/look good/be rich.’ But happiness is rarely found in impressing others. For me, happiness is in appreciating small, wonderful things — the graceful flight of a wild bird, the sight of fields of flowers, the warmth of spring sunshine.

I don’t know why I had to travel to the other side of the world to understand this. Perhaps that’s the point in travel — because everything is new and different, you notice it more.

So the main thing I learned from travel is to stop, and to take notice. To watch, to wonder and inhale.

What Can I Write About?

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What Can I Write About?

writer's notebook

1. Inspiration

Dying to write, but short of ideas? Here’s some ways to come up with stories.

If you’re very lucky, the idea strikes hard, in the middle of the night. And you wake and scribble down a story and bang, that’s it, you’re ready to go. Like me, when I had a dream of a girl, fighting in a forest. (You can read more about my dream, and what it led to here)

There might be a ‘what-if’ moment:
– What if a whole planet is sentient?
– What if the world was just a computer programme?
– What if a necklace could destroy its wearer’s heart?

Sometimes there’s a feeling of ‘tell-me-more’. Alexander McCall Smith developed Precious Ramotswe after meeting an extraordinary woman.

If you’re short of material, idea generators are available on line or in writing magazines. Tumblr has a few. I like Pinterest (although you have to watch you’re not being the same as everyone else).

Questions on School Visit

2. Perspiration

Develop your idea

Your idea becomes the premise of your novel. It’s the 5 minute plot summary, the elevator pitch.

You can do a lot with a premise. You can elaborate it into several paragraphs, into a short story, into a novel. Randy Ingermanson has an interesting technique called the Snowflake Method. I’ve played with this concept, and while I quite like it I haven’t yet extended it from basic premise into full-blown plan.

Persistence

Just remember, that an intriguing idea is only that. You need characters and conflict to make a novel. Also, you need patience.

3. Market

Some people advise checking to see if there’s a market for your idea before developing it into a novel. In an earlier blog post I said: “Markets are fickle. Write what you like.”

Two years on, I have to admit (albeit rather sadly) that this was naive.

After four years of writing and selling books, I have learned a hard truth: ignore the market at your peril. Obviously, don’t write crap. Don’t plagiarise. Don’t try to write something just because you think it will sell – mostly, you’ll be wrong – but also, don’t ignore what is selling. And if you’re considering competing story ideas, it’s helpful to think: what’s doing well.

Because if people like a work similar to what you write, chances are they might like your work, too.

4. BONUS: Extra Resources

Here’s a short e-book crammed full of resources to kick-start your writing ideas. Feel free to download!

~ Download ~