How To

What I Learned from Writing a Non Fiction Book

November 26, 2017 By Rachel Stedman

What I Learned from Writing a Non Fiction Book

I’ve often thought of writing a non-fiction book. After all, I have this blog – it’s not as though I’ve never written in the genre. But I’ve never had the courage, or the energy.

But Susan Day, whom I’ve met on Twitter, has.

So when she told me she’s just finished a non-fiction work, I asked her if she’d mind discussing the experience on a blog post.

She very kindly said “Yes”.

So, over to Susan …

Learning from Writing Non-Fiction

I have been writing children’s books for a number of years now. I write middle grade, chapter books in the Astro’s Adventures series. I’ve also turned my creative skills to early readers and picture books. I love illustrating books and designing them.

However, when I became a grandmother at the very young age of 47, I still continued to write children’s books, but my life had changed and I knew as a writer I needed to confront it.

I decided to write a non-fiction book about grandparenting called The Top 10 Things Happy Grandparents Never Regret Doing! And, like many non-fiction books there would be no pictures, no jokes, and no zany adventures. This would mean quite a change in my writing style.

So, how did I move successfully from a fiction author to a non-fiction author?

Facts and Figures are about Real People

As I began to research my book I discovered that most of the facts were about real people. Of course, statistics are just numbers, but behind those were stories and lives that were interesting.

I was touched when I read how some parents had become suicidal after being separated from their grandkids. I was buoyed when I read that when a positive relationship exists between grandparents and grandkids neither group are likely to fall victim to depression.

There’s Always a Story to Tell

Being a storyteller by trade I knew that my experiences of being a grandparent weren’t unique. I believed that many other young grandparents were probably going through similar experiences as me.

While researching the book, I discovered that grandparents are richer and healthier than they have ever been in the history of the world. I discovered that they come in all different shapes and sizes, and that my original idea of a granny being grey-haired and dressed in an apron was far from reality.

I wanted to include my story and stories I had heard from others. Sometimes the stories are poignant, and other times funny. I was able to use my fiction writing skills to make the research more relatable so that anyone reading it would be able to say, “Oh, that’s me!” or “Yes, I feel like that.”

Touch the Reader’s Heart

I wrote The Top 10 Things Happy Grandparents Never Regret Doing! so that grandparents could feel more empowered, and do something positive about their relationship with their grandkids.

I didn’t like the way that many grandparents just sat back and played a passive role; babysitting when asked, cooking for special occasions and helping out with cash.

The Top 10 Things Happy Grandparents Never Regret Doing! encourages grandparents to create their own Grandparenting Philosophy. This is a real document that they put together as they read through the book. There’s a whole section for compiling the information or those savvy grannies can complete the form online.

It was this aspect of writing a non-fiction book that dramatically changed from writing a fiction book. When one is writing fiction you can create worlds, and control the emotions of your characters. Non-fiction books, however, deal with real people who have a wealth of experiences and knowledge to draw from. Part of the writing process for me was to respect that, and provide a platform from which my readers would feel safe. Feeling safe leads to feelings of trust, and once trust is established it is much easier to get your point across.

Did I Love Writing a Non-Fiction Book?

Yes, I did love creating and writing a non-fiction book. It took me back to my university days when I was scribbling down notes and adding references to end notes: an old skill I had to learn again!

I loved telling my story and using it to build a connection with other grandparents. I also loved showing them how much they do have to offer, and how important it was that they spend precious time with their grandchildren in simple, but meaningful ways.

Now that my first non-fiction book is complete, I don’t have plans for any more as yet, but you never know.

You can find The Top 10 Things Happy Grandparents Never Regret Doing! on all online stores – here’s its Amazon link

About Susan Day

Susan Day is a passionate author, educator and, of course, a grandmother. She wants to empower all grandparents to build meaningful relationships with their grandchildren. Discover here the Top 10 Things Happy Grandparents Never Regret Doing.

Also, her blog, Astro’s Adventures Book Club, is full of ideas and tips for grandparents who want to build a strong relationship with their grandchildren through reading and sharing books.

Susan lives in country Australia with four dogs, three bossy cats, two rescue guinea pigs, and an errant kangaroo.

The Perils and Pitfalls of Writing a Trilogy

October 17, 2017 By Rachel Stedman

Writing a Trilogy? Here’s What to Do (And What Not To Do)

SoulNecklace Stories (Box Set)

I’ve just published the final book in The SoulNecklace Stories.

This feels like a momentous occasion; it certainly has felt like a lot of work! This series has been nearly eight years in the making, with a fair number of fits and starts along the way.

So this blog post is like a message to my former self – as well as to anyone embarking on a trilogy. Here’s the things I wish I’d done, plus the (few) things I did do that worked well.

Top learnings:

Do

Write them! Series are great! They are actually a heck of a lot easier than writing stand-alone novels, because you don’t have to reinvent another world or another set of characters. Writing A Memory of Fire, the last book in my SoulNecklace Stories, felt a little like slipping on a comfy pair of slippers. Once I’d settled on the plot, I could just go.
Build your world-rules carefully. When writing fantasy, or indeed any fiction, you create a fictional world. This world has rules: things that are allowed, or not allowed. Readers are (generally) content to go with these rules, but they do become upset when they spot an inconsistency.

Typically, a writer will have rules that are based around location or appearance (you can’t have a black-haired character suddenly becoming blonde without a reason) but in fantasy the rules are way more extensive and can include magic, technology, religion, geography: in fact, any part of life. This makes writing fantasy fun, but full of pitfalls.

As a writer, it can be hard to remember all your rules, especially once you’re 300,000 words in!

Draw maps and pictures. This helps to navigate around castles, houses, villages, countries, whatever. Once I figured this trick out I could get a feeling for distance (how long would it take to travel 40 leagues – and how long is a league anyway?)
Plan a little bit, but not too much. I found it helpful to have an idea of the stories ultimate destination (and no, not going to give that spoiler away), but by not being too settled on what would happen too early, interesting characters emerged. Like the Kamaye, the Wayhouses, TeSin and Ma Evans. They all spontaneously arose from my subconscious. I’d not planned for them at all, but weaving their stories into the main narrative added a lot to the overall depth.
Write faster! I really wish I’d just knuckled down and put the words on the page. Instead, I became distracted by other projects. This was partly fear – what if the conclusion was awful, what if no-one liked it. So, all in all, it took nearly 8 years to complete the series, but if I’d gotten over my fear issues I could have finished it a lot sooner.

Don’t

Don’t bother too much with the marketing until you’ve finished the series. I really wish I’d figured this out earlier. No point on worrying about Facebook ads or Goodreads giveaways until the series is completed. On a plus side, once a series is completed suddenly readers are very happy, because they can binge-read.
Don’t overpromise. I found that I needed breaks from my imaginary worlds to retain the joy of the process, and this meant I had slow periods. Plus, because writing a series just takes so darn long, life gets in the way. This is part of the writing challenge, but it’s hard to explain to an impatient publisher or reader.
Don’t be daunted by the amount of work. Writing a novel is a huge amount of work. Writing a trilogy … oh man! It’s way more! You have to be totally committed before starting, because this world and these characters will be part of your life for a couple of years. It’s a big deal, taking on a two-year project, and not being certain of the outcome. All the time, through your head, a little voice murmurs: What if it’s no good. What if no-one likes it? What if no-one buys it? What if, what if…

And Finally

The most important lesson to anyone embarking on series: ditch the fear. Just do it anyway. You’ll be glad you did.

And, as a bonus, the third book might be so much fun to write that you might be tempted to write another book, or even just a novella, in the same universe.

A Long, Long Life

But that’s another story…

You can find The SoulNecklace Stories online or, in hard copy as individual titles on this website, or at your local library.

How to Get Published

July 4, 2017 By Rachel Stedman Leave a Comment

How to Get Published –

So you’ve got a story you’re aching to share? Here’s a step by step guide to getting published.

This is the fifth post in a series called Options for Publishing. This series is based on a talk I did recently in Taranaki.

Before reading this post, I suggest you go back and read the other posts in this series, as they tie together. Here’s the links:

This is a long post; you can download the PDF here.

Here are the slides from the talk:

Your Story, Your Way – Options for Publishing

How to Get Published:

1. Write

Keep a journal, a diary or a blog. Write poetry. The more writing you do the better. Think of it like fitness training; you don’t build a muscle without exercising it.

2. Read a lot

Read books from diverse genres. Read classic books, read contemporary novels. I prefer reading books that are ten + years old more than the latest blockbusters, because I find time sifts out a lot of dross. However, I know that’s not always the best idea if you’re trying to work out what the market wants, and writing styles are constantly evolving. But you can NOT write well if you do not read. Period.

3. Write for free

Writing for a wider audience is good discipline, and helps you to get used to criticism aka “feedback“. I edited a professional magazine; it taught me about deadlines, formatting and word redundancy. School or universities generally have magazines and often welcome contributors. If you’re in a community or church group you could either start or contribute to a magazine or blog.

4. Training

Doing a writing course is not essential, but it does help. There’s nothing like intensive tuition to improve the craft of writing. Personally, I wouldn’t suggest spending enormous amounts of money or time. Gaining a Masters in Creative Writing is expensive and may not be any more beneficial than say a twelve-week course at a polytechnic. I prefer face-to-face to online, but there’s nothing right or wrong. Just make sure you participate. You won’t learn if you do not do.

5. Develop networks

Often in this world it’s not WHAT you know, it’s WHO you know. Talk to other writers. Join professional societies, like the New Zealand Society of Authors. Attend meetings. Read the magazines. Interact in forums. Talk to writers on twitter. Be helpful. Only one rule: Don’t be a dick.

If you write romance, or novels with a romantic theme I strongly recommend joining your national Romance Writers Association. RWAs are generally very commercially savvy and they’re highly internationally networked.

6. Go to conferences

In New Zealand there are very few writing conferences, alas, but if you’re in the States it’s a lot easier. Reason for conferences: you meet other writers (networking), you can have lessons in craft (training) and most usefully of all: you can often do cold reads or pitch agents/publishers. This can short-cut a lot of slush piles.

7. Submit to competitions

This was my break. Competitions are frequently listed in the forums of various professional organisations, and you’ll find more online. I suggest the smaller comps, as anything with thousands of entries are almost a lottery. But with some of the smaller ones, like the RWA ones, (another reason for joining), you’ll get feedback from the judges, and if you’re shortlisted, you may get your manuscript read by an agent or publisher.

8. Publish your own

The last four posts are my explanation of why this isn’t as crazy as it seems! There are pluses and minuses to publishing your own work, just as there are to using a publisher. These days, it’s more about understanding your options than recommending one particular path.

But whether or not you use a publisher to reach your audience, or you do it yourself, I would still follow steps 1 – 7 above.

How to Submit to Agents/Publishers

If you decide that you don’t want the hassle of publishing your own work, then you’ll probably need someone to publish for you. Generally this involves an agent or a publisher. This is the classical approach, and until 2010 (ish) it was pretty much the only way to get your book published.

Warning: This can take a long, long time.

1. Write your book

2. Find out who the publishers and agents are that might be interested. You want to know who’s looking for new writers, what kind of work they want (no point in sending erotica to a children’s publisher, for example!), what format they want you to submit in. FOLLOW THIS! Generally, this information will be on their websites.

Here’s what to do:

Check the lists on Writer’s Digest (US) or Writers and Artists Yearbook (UK)
Follow agents on twitter. You’ll get a definite vibe for their style and what they’re looking for. Search the hashtag #pitchwars.
Ask writer friends who they’d recommend.
Avoid scammers. If anyone charges you to read your work: run away. Check the Writer Beware list.

3. Make a list of who’s looking in your genre.

Be strategic – don’t submit to everyone at once. I’d start with 5 established agents with a great track record and 5 new ones who are hungry. Follow their submission instructions (have I said this before?!).

4. Send your submissions

Submissions generally consist of a query letter, a brief synopsis and, if requested, the first three chapters. This may vary, so again: check.
General rule of thumb seems to be that simultaneous submissions are okay to agents (that is, you it seems acceptable for you to submit to more than one agent at a time), but a definite no-no to publishers. If you are submitting to multiple agents at a time, I would let them know this; at the very least, it’s polite.
Here’s instructions on query letters and Marissa Meyer’s really good blog post on synopsis writing.
If an agent likes your work you’ll generally hear reasonably quickly. Publishers seem to take longer.
I allow 4 -6 weeks for an agent, and then I follow-up with an email. If I still don’t hear anything I follow-up with another email advising I’m sending elsewhere. If you’ve submitted to a publisher you may not hear anything for 4 – 6 months. Longer than that, and I usually send an email.
If you don’t get a good response to just a query submission, it might pay to rework your query letter.
Keep a spreadsheet of who you’ve submitted to, the date and the outcome.
Try not to get depressed. I know of writers who have submitted 1000 times before landing a deal!

If you want to short cut this process, enter competitions and go to conferences (see above!).

5. While you’re waiting, write another book. Or two. Or three…

An alternative approach:

Be famous or otherwise notorious!

Publishers and agents LOVE writers with an audience. If you’ve got a million followers on wattpad, SAY this. If you’ve got a huge youtube following, again: mention it in your pitch.

What’s best?

This depends on your goals.

If you are desperate to see your book in book stores, you may be better to follow the classical approach of using an agent/publisher. Book stores tend to work through established channels, although there are signs this is changing. If you love literary fiction and you prefer to write richly textured novels, you may be better to approach traditional publishers. If critical acclaim and acceptance is important, again: a traditional model may be better.

However, if you’re just wanting to find people who want to read your work, if you write in a commercial genre with a huge readership (such as romance) and you’ve previously run a small business, my suggestion is self-publishing.

I say this because in the long run, you may be better off by finding your own route to market than by relying on a publisher third-party, who may or may not have the same goals as you. It’s also about the rights. Given that your copyright can last 50 + years, and that rights are constantly evolving, you may be better off in the long run to own the lot.

The good news: nowadays writers have options.

How to Write a Fairytale (And Why You Should Try)

August 27, 2016 By Rachel Stedman Leave a Comment

How to Write a Fairytale

I’m obsessed with fairytales.

That’s because I’m writing my own right now, so they’re filling my head: Disney, Grimm, Arabian Nights.

I always put a twist on the original. So far I have a sleeping beast, a Charming Ball, a fairy godfather … and many more.

Fairy tales are surprisingly easy to write. This post shows you why fairytales make good stories, and how you can use their strengths to craft your own.

3 Reasons Why Fairytales Make Fantastic Story Starting-Points:

1. They have strong character archetypes:

The hero (or heroine) is attractive: Snow White and Cinderella are beautiful; Ali-Baba is clever; Jack the giant-killer is strong.

The bad characters are altogether evil. Snow-white’s stepmother isn’t just vain and jealous; she’s also murderous.

2. They have the classic hero’s journey plot structure:

This plot structure is like the Ultimate Guide to Great Storywriting. It’s the plot structure used by screenwriters — why? Because it works. More on that below.

3. The themes are powerful:

The obstacles tap into deeply held terrors. Hansel and Gretel are small children, lost in a forest. Cinderella loses her mother.

The drama is intense and often horrific. Hansel and Gretel burn an old woman alive. The Little Mermaid walks on knife blades. Snow-white’s stepmother wants her heart.

4. Optional extras

Original folk tales (that is, the stories that fairytales came from) were frequently bawdy. In today’s world of political correctness we’ve lost that part of the story, but one version of Sleeping Beauty has the sleeping heroine being raped by the prince. In Arabian Nights a prince marries a virgin each day and beheads her the next.

Fairy tales used to contain barbaric violence. Cinderella’s step sisters chop off their toes to squeeze their foot into the glass shoe (the prince notices the fraud when their blood seeps out).

The Hero’s Journey

Here’s a short summary of the classic hero’s journey plot structure, and how this is used in fairytales:

A likeable hero (or heroine).
The hero has a Goal: Cinderella wants to go to the ball. Sleeping Beauty wants to avoid a curse.
He faces MONUMENTAL obstacles: Jack doesn’t just fight an ogre; he fights an evil, man-eating, giant ogre.
He encounters set-backs: Cinderella gets to the ball, only to have to run away at the stroke of midnight.
He has to overcome a final, almost overwhelming obstacle: Hansel escapes from the cage, only to be caught by the evil witch.
He must overcome his/her internal demons: Cinderella gains the courage to defy her evil stepmother and set her foot in the glass slipper

How to write a fairytale

You can start by a small change, like the setting. Put Cinderella in the present day, for example, and then all of a sudden you’ve got The Bachelor on steroids. Kiera Cass did this very successfully, in The Selection.

You could change the hero’s gender (I did this once, and made Cinderella a man, and called her Cynders).

You can play with the technology of the tale, and what it means. Marissa Meyer did this really well in her Lunar Chronicles series. In Beauty is a Subjective Term, my Snow White retelling, a mirror needed reprogramming. Because what does ‘fair’ really mean?

But the best way is to change a fairytale is to consider the motivation of the character.

For example, Cinderella. In Ten Minutes to Go, Cinderella is no longer interested in the prince; she’s interested in his prince’s money. And so, in Ten Minutes to Go, Cinderella was a contract killer with a deadline of midnight.

So if you want to write your own fairytale, first think of the story. Think about the characters. Change their names if you want to; their gender; their setting. But most importantly, consider what they want to achieve.

And really, that’s how you write any story. The fairy tale is just a scaffold that, fortunately, usually leads to a bloody good story.

More information?

If you want to read some other examples of fairytale retellings, check out this blog post here. And if you want to read my stories that are mentioned above, you can download them for free here. And now, what are you waiting for? Go away and write your own!

P.S. DECEMBER 2017 – JANUARY 2018 ONLY – COMPETITION

Fairytalez.com, an awesome-looking website for fairytales, is currently running a competition! Here’s the info:

Fairytalez wants to hear the other side of the story, the villains behind a so-called “happily ever after”! After all, as they say, even the villain is the hero in their own story. Let’s hear it for the “bad” guys! You may either write a new fairy tale or folk tale with a new original villain character or take one of the classics and write the untold story from the villain’s point of view.

What if Snow White got the evil queen all wrong? Were the “wicked” stepsisters in Cinderella really all that bad, or was Cinderella just obnoxious? Were the bears menaced by Goldilocks or was it the other way around? Join the dark side – and embrace your inner villain/villainess within you!

This writing competition runs from November 22, 2017 to January 3, 2018.

May the Best Villain Win!

The Winner receives:

Active promotion across all Fairytalez’s social networks

A digital winner badge published with your story and on your profile page

A digital winner badge for your blog or website

A $200 gift certificate to Amazon.com

The Four finalists receive:

Active promotion across all of Fairytalez’s social networks

A digital runner-up badge published with your story and on your profile page

A digital runner-up badge for your blog or website

You can find more information and a submission form at the following link: https://fairytalez.com/competitions/best-villain-fairy-tale-competition-nov-2017/

How to Market Your Book (without feeling like a salesman)

May 14, 2016 By Rachel Stedman 4 Comments

How to Market Your Book —

Marketing seems to freak out many writers, me included!

I guess it’s because we’re generally introverts who are happiest alone or in small groups – the thought of engaging with strangers to talk about a deeply personal work just doesn’t come naturally.

(Before I write a bit more, a big shout-out to all the salesmen and women who work ethically and professionally. You’re not who I’m talking about. I’m talking about the dodgy folk who prey on the elderly and vulnerable. No-one wants to feel like that.)

This is the third post in a series of three on selling your rights and publishing, sparked by a recent radio interview with Vanda Symon on Otago Access Radio. You can check out the first of these posts here (or you can listen to the podcast!).

6 Steps to Marketing Your Book

Know your audience. If you don’t have an audience, think about the audience you want. It helps if you can get really specific here: not just male/female and age, but where they live and what are their interests; where they hang out, and who their influencers are.

Marketers call this ‘building an avatar’ – not a big blue alien, but an ideal customer. This has never worked for me, because being a writer, I have an extremely fertile imagination – and an avatar has to be reasonably accurate (i.e. not imaginary) to be useful.

Instead, I think of my two most passionate fans (that aren’t related to me:)) I don’t stalk them, obviously, but I know roughly how old these two fans are, where they hang out (facebook, goodreads, instagram, blogs etc) and I know what they like to read.

I develop content for ONLY these two fans. I call them K and N.

Quick side-note: if you’re new to writing, or you’re not really sure who your biggest fans are, then have a look at this podcast on the Author Hangout. Here you’ll find a quick step-by-step guide to developing a reader profile.

Develop content for your audience. Every blog post is written for either K or N. (Except this one, although K might find it interesting). Every post on social media is designed for them. My only criteria about each post is: would K or N like this? (This approach also MAKES me sit down and write my current WIP, because I know that the thing they most want from me is my next book.)

Share your content. When I’ve developed content, like this blog post, I go onto twitter or facebook or whatever, and I say, hey, I’ve made this! I don’t say ‘Hey N, here’s another post just for you,’ – that’s kind of weird. But often one or the other will pick it up and share it or retweet or whatever, and I love that, because it means I’ve done something that makes them happy.

Side note: This doesn’t have to be only social media. When I get to a milestone in my word count, I share it, because I know N is gagging for my next book! I popped a My Book Progress bar on my home page, because I know it’s what N wants to know.

Marketing Through Sharing Love

It took me a long time to learn this approach, and I’ve only just started working like this since the beginning of March. But since then interest in my blog is going up and downloads of my books are increasing. Why? Because it’s not just N and K buying my books – hell, I’ve given them my books – it’s because there’s enough people out there like N and K, and they also like the same material.

I am really, really grateful to N and K for their support and I want to deliver more content that makes them happy. It’s just a side benefit that other people like it too.

I’ve summarised this approach in a pdf, which you’re welcome to download.

I’ll also be talking about it again in my upcoming ebook.

Before I wrap up this extra-long post here’s a couple of things to consider.

Social Media is Not Essential

Don’t be spammy. Don’t stalk. Be compassionate, respectful and behave like a normal human.

Marketing doesn’t mean you have to slather yourself in social media. Old-fashioned print or radio works too.

If your fans don’t live online you may not even need a website (although I would, but that’s another post for another day); the point is, once you know who your fans are, you can design your marketing to serve their needs. Robert Free meets his fans through sending a ballad to Radio New Zealand every day. It seemed to take Robert AGES to get his website up and running, but I’m not sure this really mattered; he was already meeting his audience through radio.

Play to your strengths. If your fans are out and about on a variety of different channels – like blogs, youtube, instagram – chose the channels that suit you best. I like taking photos and I’m totally in love with my iphone, so instagram works well for me.

Kyle Mewburn, who writes books for kids, is a natural entertainer and has a youtube channel. This suits his fans, too, because teachers and parents can play it for their kids.

Finally, although I say you don’t need to be involved in social media, it sure helps you to meet more readers than traditional media. And unless you’re running adverts, social media is free. (As a side note, if you are thinking of running ads on social media, check out Mark Dawson’s Facebook training videos. They’re free, and are almost guaranteed to save you a ton of money.) It always saddens me when I hear (usually older) writers say “oh no, I don’t get facebook.” They’re missing out on an opportunity to hear and connect with readers, and surely, that is why we write, isn’t it?

Writing is Connection

Which takes me back to the beginning of this three-part series of blog posts: Why do we write? For me, it’s to connect; to share; to provide enjoyment. Writing, actually, is not about me. It’s about my reader.

A Writer's Life — Image from PinkPot Design

Thanks for sticking with me through this incredibly long post. If you have any questions, please get in touch.

Here’s a summary as a slide-deck:

Market Your Book (Without Feeling Like a Salesman) from Rachel Stedman MBA

And thanks again, Vanda and Otago Access Radio, who sparked this series of posts. Now you’ve navigated your way to the end of them, here’s the link again to the podcast interview. I hope you enjoy!

How To Tell When Your Manuscript’s Finished

April 4, 2016 By Rachel Stedman

When is Your Manuscript Finished?

It’s hard to know when you’ve finished a creative work.

Keep Calm and Carry On — From PinkPot Design

How many times do you continue polishing, hoping to improve what went before? When do you ever finish?

Wanna know the hard truth?

Your Manuscript Will Never Be ‘Finished’.

For me, I normally do about five ‘Final Drafts’. It’s crazy! Each time, I save the next draft as ‘Draft_FINAL’ and it never is. There’s Draft_FINAL One’; ‘Draft_FINAL Two’ and so on. My personal favourite? ‘Draft FINAL_FINAL’.

Each time I review a draft, I find more errors, or more room for improvement. Each re-draft takes less time than the one before, but each re-draft is harder, more freaky, because each time I re-read it I realist that there’s still so much wrong.

I suppose for me, a piece is finished is when I CANNOT bear to read it again. It’s when I think “If I work on this story anymore I will go insane.”

That’s the time to take a deep breath, package the finely crafted work up and sit it on it for four to six weeks. Then check it one more time – just in case!

I dread the next part, the sending it out into the wide wide world. Because as soon as that happens, I start getting rejections. Rejections are almost inevitable. And oh, how they hurt.

Perfection isn’t Possible.

Your work will never be perfect, but at some point you HAVE to step away. Because only then can you get ready for your BOOK LAUNCH!