The SoulNecklace Stories

From the Desk – New Year’s Update

January 19, 2018 By Rachel Stedman

New Year’s Update

2018 already! Amazing, right? I normally save updates for my newsletters, on the theory that those who signed up for my emails may at least be interested in what I’m up to. However, this one is kind of special, being the first month of a new year … So here’s a Letter to My Readers, set out a one-of-a-kind blog post. (Note: This update is personal. I’ve totally ignored politics and any major world-impacting news. So if you’re after a political rant, move on. Ain’t nothing to see here…)

Dear Reader,

Welcome to my review of 2017, the Year-That-Was and 2018; The-Year-That-Is-To-Come…

Highlights for 2017

1. Finishing A Memory of Fire.

Writing A Memory of Fire was hard. The final in a trilogy has to feel like a conclusion, so I wanted to amp up the action, both the rise to the climax and the fall to the ending. I wanted the ending to be satisfying, yet I didn’t want to walk away from the story with all loose ends neatly tied, because real life isn’t neat.

To quote Frodo, in Lord of the Rings: “The great tales never end. But the people in them come, and go when their part is ended.”

So, in A Memory of Fire, while I wanted the ending to feel like an ending, I also wanted to leave the potential for a beginning. (That’s partly selfish, of course, because who knows, I might want to explore the SoulNecklace world again.)

Writing Memory was an amazing experience. Being so familiar with the characters, I could slip easily into their heads and so Dana, Will and N’tombe took control of their own stories; I just had to type. At times, I truly felt as though I was channelling. This was both awe-inspiring and terrifying, because I had no idea where the story was going. I had to just trust the process and go with it.

Have you ever ridden a horse at full gallop, and have a foot slide from the stirrup, and then all you can do is hang on and hope? That was how I felt, on writing some of the scenes in A Memory of Fire. You’ll know the scenes when you read them. They’re the ones with the pell-mell, hell-or-nothing vibe, the ones where the language totally changes. That’s because they’re not my words – they’re Dana’s or Will’s. They don’t talk like me, and they sure as hell don’t write like me, either. You can find A Memory of Fire here

2. Adding bonus extras – A Long, Long Life and a Gratuitous Epilogue.

I had hoped to have an extra novella to give away to early purchasers of Memory, but editing Memory took longer than I’d planned. However, I did write a Gratuitous Epilogue called A Bed-Time Story. It has a shocking cover (I didn’t have time to get a proper cover made) but its content is a pretty fun little addition to the more epic-style of Memory.

If you’d like to read this epilogue, get in touch through the “Contact Me” page.

I also finished a novella! A Long, Long Life is for die-hard fans of the SoulNecklace Stories (all two of them!), because I think, like me, they’re keen to find out a bit more of the backstory. Like, who is Rinpoche? Where did Greg and Reg come from? And how does that weird catch on the necklace actually work? Exploring the background of the world was a lot of fun. You can find A Long, Long Life here

3. Planning a new series

I find planning really, really hard. When I wrote A Necklace of Souls, I just winged it. Writers call this ‘pantsing’ as in: writing by the seat of your pants. Fiction writers tend to be either natural planners or natural pantsers. Unfortunately, I’m a pantser. This makes the writing process fun, but I’ve darted down too many stupid writing plot holes with this approach, so now I’m trying to get a bit more organised and actually PLAN. My plan consists of scribbles on two A3 sheets of paper, along with a roughly drawn map. Sadly, it took me a year to achieve this!

Plans for 2018

1. The Dancing Princesses

Without giving too much away, this new series will be a (very loose) fairytale adaptation of The Twelve Dancing Princesses. I’ve written a prequel novella, Alice, and I’m currently about one-quarter through the first draft of the first in series, Zoe. I’m aiming for three books, one about each ‘Princess’ (there are only three, not twelve, otherwise I would lose my mind). I hope to have completed Zoe by mid-2018 and the first draft of Belinda ready by year’s end. Alice is being served in instalments to my newsletter list, so if you want to check it out, and you’re not yet on my list, you can join up here.

2. Non-fiction

I’ve been flirting with the idea of writing a guide to self-publishing for teens. Ideally, for use in schools. In 2017 I put a pitch to the local University, in combo with Creative NZ. They were interested, but needed more information. If I’ve got time, I’ll follow this up. (I have some cynicism about how schools may use it, as I have found folk from New Zealand are slow to support their own). I need to explore whether there is truly a desire for such a resource. I do think there’s a need for it, but a need isn’t the same as a want.

3. Other Stuff

I’d like to improve this website – I’m exploring a different theme, with a faster loading time. But redoing a website is HARD! I’d also like to have more sales available through this site, as it’s a lot easier if readers can reach me here, but I’ll need to work out how best to do this with the new theme.

4. Life

Of course, no writer works in a vacuum. Like everyone, life sometimes smacks me in the face, and all I can do is roll with the punches. Right now I’m in the weird position of my oldest leaving home, and my youngest coming to the end of his schooling, so 2018 will be a year of massive transitions. My husband’s taken on a role that requires a whole lot of international travel, so maybe this year might also involve (if I’m lucky) a trip somewhere nice! I have a day job, too. I’ve been doing contract work for the last 5 years, rolling from one year to another – but now, in 2018, I’ve finally got a permanent role, working with the same lovely team I’ve been with for the last few years. So at least in the workspace I should have a little more continuity. Ha! here’s hoping. I’ve got a feeling things might change…

Day Job and Avoiding Poverty — From Debbie Ridpath Ohi

And that, dear reader, is the update for 2017 and the plans for 2018, set out in one easy-to-follow blog post. I’ll have a look at this at the end of the year, and see how many of these goals were actually achieved!

All the best to you for the new year, and I hope wherever you are, it will be a happy one. And if not, here’s a joke to make you smile 🙂

Rachel xxx

JOKE

Q: What do you call a man with no arms and no legs, trapped in a book?

A: Mark

The Perils and Pitfalls of Writing a Trilogy

October 17, 2017 By Rachel Stedman

Writing a Trilogy? Here’s What to Do (And What Not To Do)

SoulNecklace Stories (Box Set)

I’ve just published the final book in The SoulNecklace Stories.

This feels like a momentous occasion; it certainly has felt like a lot of work! This series has been nearly eight years in the making, with a fair number of fits and starts along the way.

So this blog post is like a message to my former self – as well as to anyone embarking on a trilogy. Here’s the things I wish I’d done, plus the (few) things I did do that worked well.

Top learnings:

Do

Write them! Series are great! They are actually a heck of a lot easier than writing stand-alone novels, because you don’t have to reinvent another world or another set of characters. Writing A Memory of Fire, the last book in my SoulNecklace Stories, felt a little like slipping on a comfy pair of slippers. Once I’d settled on the plot, I could just go.
Build your world-rules carefully. When writing fantasy, or indeed any fiction, you create a fictional world. This world has rules: things that are allowed, or not allowed. Readers are (generally) content to go with these rules, but they do become upset when they spot an inconsistency.

Typically, a writer will have rules that are based around location or appearance (you can’t have a black-haired character suddenly becoming blonde without a reason) but in fantasy the rules are way more extensive and can include magic, technology, religion, geography: in fact, any part of life. This makes writing fantasy fun, but full of pitfalls.
As a writer, it can be hard to remember all your rules, especially once you’re 300,000 words in!

Draw maps and pictures. This helps to navigate around castles, houses, villages, countries, whatever. Once I figured this trick out I could get a feeling for distance (how long would it take to travel 40 leagues – and how long is a league anyway?)
Plan a little bit, but not too much. I found it helpful to have an idea of the stories ultimate destination (and no, not going to give that spoiler away), but by not being too settled on what would happen too early, interesting characters emerged. Like the Kamaye, the Wayhouses, TeSin and Ma Evans. They all spontaneously arose from my subconscious. I’d not planned for them at all, but weaving their stories into the main narrative added a lot to the overall depth.
Write faster! I really wish I’d just knuckled down and put the words on the page. Instead, I became distracted by other projects. This was partly fear – what if the conclusion was awful, what if no-one liked it. So, all in all, it took nearly 8 years to complete the series, but if I’d gotten over my fear issues I could have finished it a lot sooner.

Don’t

Don’t bother too much with the marketing until you’ve finished the series. I really wish I’d figured this out earlier. No point on worrying about Facebook ads or Goodreads giveaways until the series is completed. On a plus side, once a series is completed suddenly readers are very happy, because they can binge-read.
Don’t overpromise. I found that I needed breaks from my imaginary worlds to retain the joy of the process, and this meant I had slow periods. Plus, because writing a series just takes so darn long, life gets in the way. This is part of the writing challenge, but it’s hard to explain to an impatient publisher or reader.
Don’t be daunted by the amount of work. Writing a novel is a huge amount of work. Writing a trilogy … oh man! It’s way more! You have to be totally committed before starting, because this world and these characters will be part of your life for a couple of years. It’s a big deal, taking on a two-year project, and not being certain of the outcome. All the time, through your head, a little voice murmurs: What if it’s no good. What if no-one likes it? What if no-one buys it? What if, what if…

And Finally

The most important lesson to anyone embarking on series: ditch the fear. Just do it anyway. You’ll be glad you did.

And, as a bonus, the third book might be so much fun to write that you might be tempted to write another book, or even just a novella, in the same universe.

A Long, Long Life

But that’s another story…

You can find The SoulNecklace Stories online or, in hard copy as individual titles on this website, or at your local library.

Behind the Scenes with A Skillful Warrior

May 31, 2016 By Rachel Stedman

Where is A Skillful Warrior Set?

Paulo Coelho’s advice to aspiring writers: don’t keep a notebook. Just live your life. The things that are important will remain, and those that are not will fall away.I do keep a notebook, but not for recording thoughts and impressions. I keep my notebook for when I don’t have a computer with me. Sometimes this bothers me, as though I’m not a real writer.

But surprisingly, when it comes to story setting, I don’t need a notebook. I rely on memory. Take A Skillful Warrior, and its settings.

The Settings of A Skillful Warrior…

The story opens with Will, Dana, Jed and N’tombe travelling beside a river towards a moorland plateau.

Later, Will and Jed find a hotel in a fishing village just north of a town called Abervale. Nearby is a tower, like a castle, set into the sea, and accessible from the clifftop by a narrow bridge. Jed falls afoul of its owner, a woman named Ma Evans.

A little later there’s a scene where Dana meets a goat herder. He takes her to meet his family, and they share food and a lice-infested cave.

The last scenes of the book are in a maze-like network of narrow canyons. Once, long ago, people lived in hollow caves, carved from the rock. Now, all the caves are abandoned; the only sound is the wind, whistling sadly through the empty holes.

…And The Real-Life Places

The river valley of my imagination was the Conwy River, in Gwynedd, North Wales. I worked as a physiotherapist in Llandudno Hospital in the 90s. Many of my patients were small-holding sheep farmers, wiry tough little men who eeked out a living in the harsh pasture of the Upper Conwy.

I went hiking in the Conwy Vale in my weekends, and gained a first-hand insight into why my patients had such bad knees!

Where the Conwy River meets the sea lies a castle, one of my favourite castles in all Wales (and there are plenty there to choose from, thanks to Edward I and his bottomless treasury), and the gorgeous medieval market-town of Conwy.

Back in the 90s I had no idea of writing a book, let alone a trilogy, so never really meant to cast these places as locations, but they crept into the book nonetheless.

Abervale and the nearby fishing village of Towyn are totally fictional, but I used drawings of old Exeter – the Exeter from before the bombing raids of WW2 – and Chester (which was not so damaged) to form the idea of the narrow streets and over-leaning tudor-style post and beam buildings of Towyn. The tower in the sea is totally made up, although Tintagel Castle, built into the clifftops of North Cornwall, and Mary Stewart’s Merlin Trilogy (see an earlier blog post) acted as a catalyst.

The goat-herder lived in the Sinai Mountains. I holidayed on the Sinai Peninsula nearly twenty years ago – diving and snorkelling, as you do – and the camel-riding, landrover driving Bedouin were a familiar sight along the coast. Later, we travelled into Petra. If you’ve ever been to Petra you’ll understand how powerful the landscape is; how evocative, and how lonely. Once you leave the beaten tourist trail you realise just how vast the place was. Once it must have been simply crowded with people. High in the cliff walls are thousands of holes – cave homes, now empty. Except for the lice that are legendary among backpackers.

Petra, Image by Pete Rojwongsuriya from Bucketlistly Photos

In one of these lonely caves we met with a goat-herder and his family. This wasn’t their regular home – the government had moved all the inhabitants away – but periodically they’d return, bringing their animals and their furnishings with them. They welcomed us into their cave-home, plied us with hot sweet tea and offered to be our guides for the day. Such hospitality is common among the Bedu, or so I’m told.

It’s strange how tiny events, not even important at the time, remain in the subconscious and eventually make their way into a story.

Makes me glad I didn’t bother with a notebook.

An Exclusive Snapshot: The Backstory to the SoulNecklace Stories

May 20, 2016 By Rachel Stedman

Just as Every Person has a Past…

…every story has a backstory.

Because nothing really starts (and nothing really ends), my stories are just a snippet of a grander, larger whole. I plan the larger whole just as I plan the snippet that constitutes the little pieces that make up the books. Today I’m sharing a part of the backstory of The SoulNecklace Stories.

Imagine…
A castle on a hill. A small girl plays a chasing game along its ramparts. Mid-stride, the girl pauses.
‘Daddy,’ she stares at the castle tower. ‘Look! I see someone!’
As her father grabs her into his arms, his crown falls. ‘No, Dana. There’s nobody.’
Peeping over his shoulder, the girl sees: a flash of red at the tower window, and a figure smiling. Her father is wrong. There is someone there.
‘She’s waving at me,’ Dana whispers.
Her father hugs her tightly…

My story-world begins in fire and ice. First came the fire, and then the ice, and then, much later, the fire returned. This second time the fire came it changed the world, and my story-world split away from our own Earth. So my story-world, the world of The SoulNecklace Stories, is similar to our own, but is also very different.

With the second fire came the Kamaye, creatures of great evil. Seeing the world, so beautiful, so small, they wanted it for their own. The Kamaye struck a bargain with a powerful emperor: they would ensure he would never die, provided he gave them his eternal obedience.

Of course, the emperor agreed (after all, who wouldn’t want eternal life?) and so the Arm of the Eternal was born. A side note: the emperor should have asked for eternal youth, but being young when he made his choice, he did not consider the effects of age. Youth was all he knew; he took it for granted that it would remain.

Over time the emperor grew old, but did not die. And being old and full of malice and a most efficient ruler, the Arm of the Eternal gradually spread throughout the world. Eventually the entire planet came under his domain. Except for one small island, far out to the west.

There is a castle on this island, and a tower within the castle and a woman within this tower. The woman wears a necklace, and the necklace protects the castle from the Emperor. This woman is called the Guardian.

There’s one catch.

There’s always a catch.

The necklace protects the land by taking her strength and magnifying it, but …At the base of the necklace is a ruby. The ruby lies over the wearer’s heart. Over time the ruby becomes the heart; the wearer’s ribs dissolve and her heart dissolves and they grow into the ruby, and the Guardian becomes the necklace. Unfortunately, it’s impossible to live without a heart, so when this happens the body of the Guardian dies. Another Guardian must be found.

Almost always the Guardian comes from the royal family. Almost always she is the oldest daughter of the King.

As The SoulNecklace stories begin, Dana is the daughter of the King.

At the beginning of A Necklace of Souls, Dana wakes from a dream of a necklace and an old woman, dying…

This is only part of the backstory. There is more. Because nothing really starts, and nothing ever ends.